Actor, Improvisor, Designer, Director
Height: 6'
1"
Weight:
155 lbs.
Hair:
Dark Brown
Eyes:
Green
57 Mary Street
Alton, Ontario
L7K 0E3
Canada
(416) 907-2076
NON-UNION
(former ACTRA apprentice)
Internet Movie DataBase listing
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| FILM / TELEVISION: | ||
| AE4HG | Human (principal) | Greek Chorus Productions, 2005 |
| MOST GUYS TODAY | Nigel LaBellete (principal) | Greek Chorus Productions, 2005 |
| LIBERTY STREET: CYCLE ONE | Pencil Neck (principal) | Epitome Pictures/Paul Lynch, 1994 |
| X-RATED: THE MOVIE | Pencil Neck (principal) | Playing with Time/Kit Hood, 1993 |
| DIVORCE COURT (Webb vs Webb) | Nathan Webb (principal) | Divorce '92 Productions, 1992 |
| CITY SAFARI | Chris (principal) | Fleischman/Livingstone, 1992 |
| CHRISTMAS CHARITY TELETHONS | Anchor | Rogers and McLean-Hunter Cable, 1987-91 |
| RADIO / VOICE-OVER: | ||
| ALEX, WHO WON HIS WAR (audio book) | Reader | VirtuallyAmerican.com, 2004 |
| AURA: FATE OF THE AGES (computer game) | Belik | The Adventure Company, 2004 |
| NIGHT LIFE (award-winning animated short) | Dick Gumshoe (principal) | Greek Chorus Productions, 2002 |
| TORONTO - Stories from the Life of a City | Documentary character voices | Lynx Images/Barbara Chism, 1993 |
| INSIDE OUTLANDIA (series) | Wilhemina | CKMS-FM, Waterloo, 1980 |
| MUSICALS: | ||
| WHERE'S CHARLEY | Charley (lead) | Yorkminstrels, 2001 |
| FOOL'S LOVE (based on Twelfth Night) | Sir Andrew Aguecheek (support) | Workshop performance, 2000 |
| THE GRAND DUKE | Ludwig (G & S lead) | St. Anne's Music & Drama Society, 1994 |
| THESPIS | Thespis (G & S lead) | St. Pat's Players, 1993 |
| SWING SHIFT | Phone Booth Madrigals (writer/performer) | CAMTA, 1992 |
| BEST LITTLE WHOREHOUSE IN TEXAS | Melvin P. Thorpe (lead) | Yorkminstrels, 1991 |
| LITTLE SHOP OF HORRORS | Bag Lady/Mrs.Luce/Patrick M. (support) | Scarborough Music Theatre, 1991 |
| ANNIE GET YOUR GUN | Charlie Davenport (lead) | Etobicoke Musical Productions, 1990 |
| PUSS IN BOOTS | King (lead) | Limelight Dinner Theatre, 1989 |
| SUGAR | Jerry/Daphne (lead) | Etobicoke Musical Productions, 1988 |
| SHOWBOAT | Frank Schultz (lead) | Etobicoke Musical Productions, 1988 |
| THE MUSIC MAN | Marcellus Washburn (support) | SummerStage Company, Belleville, 1987 |
| GODSPELL | Herb (lead) | Calvary Players, 1983-84 |
| COMEDY: | ||
| DON'T DRESS FOR DINNER | Bernard | Caledon Town Hall Players, 2007 |
| LEND ME A TENOR | Max (Thea Award Nomination - Best Actor) | Caledon Town Hall Players, 2005 |
| THEATRESPORTS | Performer - main cast | Bad Dog Theatre, 2003-04 |
| I HATE HAMLET | John Barrymore | East Side Players, 2002 |
| MURDER IN PARADISE | Regis Philman | Mysteriously Yours, 2002 |
| MYSTERY OF THE MALTESE BLUE JAY | Theo Fettman | Mysteriously Yours, 1998-2001 |
| MURDER ON THE LIMELIGHT EXPRESS | Norman Sockett | Mysteriously Yours, 1999-2000 |
| THE Y2K FILES MYSTERY | Willy Gates | Mysteriously Yours, 1999 |
| TANGLED WEB MYSTERY | Sherlock Holmes (and others) | Mysteriously Yours, 1996-99 |
| MURDER ON SUNSET BLVD. | Sam Spade (detective) / Max | Mysteriously Yours, 1995-96 |
| MURDER ON THE HIGH 'C'S & others | Dick Crazey (detective) | The Guilty Party and P & M Prod., 1986-96 |
| WHEN THE AUTUMN MOON'S BRIGHT | Poe/Inspector Burgerfrye/Thing | Artemis Theatre, 1994 |
| THEATRESPORTS | Actor/Organizer/Workshop Leader | Toronto, Waterloo, Australia, etc. 1982-93 |
| A HALTON HILLS CHRISTMAS CAROL | Ghost of Xmas Past/Bruno/Teasal | P & M Productions, 1992 |
| BULLSHOT CRUMMOND | Fenton/Algy/Waiter/Schmidt/Marovich | Village Playhouse, 1992 |
| THE SCREAM PLAY | Spam Sade (support) | FASS Theatre Company, 1986 |
| LAFFTIME '92 | Comedy Cabaret Performer | P & M Productions, 1992 |
| BABEL RAP | The Smoker (lead) | Kitchener-Waterloo Little Theatre,1985 |
| IMPORTANCE OF BEING ERNEST | Ernest Worthing (lead) | Elora Community Theatre, 1985 |
| THERE GOES THE BRIDE | Gerald Drummond (support) | Kitchener-Waterloo Little Theatre, 1985 |
| TOAD OF TOAD HALL | Toad (lead) | Kitchener-Waterloo Little Theatre, 1984 |
| OH DAD, POOR DAD... | Jonathan (lead) | University of Waterloo, 1983 |
| FASS OR FICTION | Mr. Spock (lead) | FASS Theatre Company, 1983 |
| ALICE IN WONDERLOO | Marvin Gardens (support) | FASS Theatre Company, 1982 |
| FASSIFIED INFORMATION | Reggie Sterdnurse (support) | FASS Theatre Company, 1981 |
| ARSENIC AND OLD LACE | Dr. Einstein (support) | Halifax Grammer School, 1980 |
| DRAMA: | ||
| TEN LOST YEARS | Various roles (ensemble piece) | Alumnae Theatre, 2001 |
| THE REMORSE OF JUDAS | Pontius Pilate (lead) | P.L.S. York Cycle, 1998 |
| THE ELEPHANT MAN | John Merrick (lead) | Village Playhouse, 1992 |
| COUNT DRACULA | Count Dracula (lead) | Scarborough Players, 1991 |
| MURDER AT THE VICARAGE | Lawrence Redding (lead) | Scarborough Players, 1990 |
| LA BOHEME | Gendarme (supernumerary) | Canadian Opera Company, 1989 |
| MURDER WITH LOVE | Roy Campbell (support) | Scarborough Theatre Guild, 1987 |
| CRIMES OF THE HEART | Barnette Lloyd (support) | East Side Players, 1986 |
| NIGHT MUST FALL | Hubert Laurie (support) | Guelph Little Theatre, 1985 |
| THE FAME OF SIMON GIRTY | Five character roles (support) | University of Waterloo, 1982 |
| HAT TRICK | Egan MacIntyre (support) | Sumwat Theatre Company, 1981 |
Commercial and Radio Drama voice tape available.
Specialties & General Background
· Singing voice: Baritone; violin and viola. · Write, produce, and perform Murder Mysteries.
· Licensed to possess and handle Stage firearms. Stage fencing experience.
· Mountain climber; proficient in most sports. · Rappelling, rope rescue, Wilderness First Aid.
· Extensive stage management experience. · Excellent ear for accents, esp. British and character voices.
· Employed as a theatre technician for five years. · Managed a medical software company for three years.
· Drive my own car (standard shift). · Familiar with all manner of office and shop equipment.
· Impressive design and directing portfolio (see below). · Improv group finalist in CKCO-TV comic showcase.
· Conduct improvisation workshops (high schools, Theatre Ontario Summer Courses, corporate clients).
| Directing / Design Credits | ||
| THE PERFECT MANHATTAN | Lighting Design/Play Polisher | Caledon Town Hall Players, 2007 |
| AE4HG | Production Design Consultant | Greek Chorus Productions, 2005 |
| LETTICE AND LOVAGE | Set Design | Alumnae Theatre, 2003 |
| THE UNINVITED GUEST | Lighting Design (Tarragon Extra Space) | Down the Aisle Productions, 2001 |
| CANADIAN NEW MEDIA AWARDS | Lighting Design (Glenn Gould Studio, CBC) | Delvinia, 2001 |
| THE SNOW QUEEN | Lighting Design on Tour (Europe) | Can. Children's Opera Chorus, 2001 |
| ALONE TOGETHER | Set Design | Village Playhouse, 2000 |
| THE STAR CHILD | Technical Director (du Maurier Theatre) | Can. Children's Opera Chorus, 2000 |
| TWO SHIPS PASSING | Set Consultant | Shows to Go, Theatre-on-the-Grand, 1999 |
| A MURDER IS ANNOUNCED | Set Design | Village Playhouse, 1999 |
| THE FLOWER HORSE | Stage Manager | Leah Posluns Theatre, 1998 |
| THE REMORSE OF JUDAS | Set Design | P.L.S. York Cycle, 1998 |
| PIRATES OF PENZANCE | Production Design | Victorian Operetta Society (Cobourg), 1994 |
| ANTIGONE | Set and Lighting Design | Alchemist Theatre, 1994 |
| FIDDLER ON THE ROOF | Technical Director and Lighting Design | John Diefenbaker High School, 1994 |
| TANGLE OF DOUBT | Set Design and Construction (Annex Th.) | Screaming Despot Prods., 1994 |
| MARKET TO MARKET | Set Design and Construction (School Tour) | Discovery Players, 1993 |
| THESPIS | Set Design | St. Pat's Players, 1993 |
| BOX AND COX | Set Design | St.Pat's Players, 1993 |
| THE GIPSY PRINCESS | Set and Lighting Design | Scugog Choral Society, 1992 |
| THE MIKADO | Set Design (Scarb. Vill. Th.) | Scarborough Music Theatre, 1992 |
| OKLAHOMA! | Set and Lighting Design | John Diefenbaker High School, 1992 |
| THE DESPERATE HOURS | Set and Lighting Design (Scarb. Vill. Th.) | Scarborough Players, 1991 |
| ALBERTINE IN FIVE TIMES | Set Design (Oakville Centre) | The Oakville Players, 1991 |
| EIGHT TO THE BAR | Set Design (Victoria Hall) | Lakeshore Summer Festival, 1991 |
| CALIFORNIA SUITE | Director | East Side Players, 1991 |
| SILENT WITNESS | Set and Lighting Design (Markham Theatre) | Unionville Community Theatre, 1991 |
| I'LL BE BACK BEFORE MIDNIGHT | Sound Design | East Side Players, 1990 |
| COLUMBINE AND HARLEQUIN | Set and Lighting Design (Y.P.T.) | Can. Children's Opera Chorus, 1990 |
| FORTY CARATS | Set Design (Scarborough Village Theatre) | Scarborough Players, 1990 |
| THE GOLDEN VANITY | Set and Lighting Design (Markham Theatre) | Can. Children's Opera Chorus, 1990 |
| ANNIE GET YOUR GUN | Set Design | Etobicoke Musical Productions, 1990 |
| LITTLE FOXES | Set Design (Thea Award Nomination) | East Side Players, 1990 |
| JESUS CHRIST SUPERSTAR | Production Design & SM (Oakville Centre) | Burlington Light Opera Society,1989 |
| SHADOW BOX | Set Design | East Side Players, 1989 |
| SUGAR | Set Design | Etobicoke Musical Productions, 1988 |
| GREASE | Lighting Design | John Diefenbaker High School, 1988 |
| AND A NIGHTINGALE SANG | Sound Design | East Side Players, 1987 |
| GODSPELL | Stage Manager | Playhouse 82, 1986 |
| BABEL RAP | Set Design | Kitchener-Waterloo Little Theatre, 1985 |
| I'LL BE BACK BEFORE MIDNIGHT | Special Effects and Lighting | Kitchener-Waterloo Little Theatre, 1985 |
| SKIN DEEP | Director/Production Designer | Calvary Players, 1985 |
| TOAD OF TOAD HALL | Set Design (U. of Waterloo Theatre of the Arts) | Kitchener-Waterloo Little Theatre, 1984 |
| WAITING FOR THE PARADE | Producer | Kitchener-Waterloo Little Theatre, 1984 |
| NO SEX, PLEASE - WE'RE BRITISH | Director | Kitchener-Waterloo Little Theatre, 1984 |
| THE FASSIST MANIFESTO | Director/Writer | FASS Theatre Company, 1984 |
| THE MUMBERLEY INHERITANCE | Stage Manager | Kitchener-Waterloo Little Theatre, 1983 |
| FOR ART'S SAKE | Director | Waterfall Theatre Company, 1983 |
| Training | |
| VOICE-OVER | Debra Toffan, Keith Knight |
| SCENE STUDY | Alec Stockwell, Jeanette Lambermont, Valerie Robertson, Theresa Sears, David Switzer |
| CAMERA | Theresa Sears |
| IMPROV | Ian Chaprin, Rob Nickerson, Tabetha Wells, Doug Buller |
| CLOWN & MASK | Jim Warren |
| MOVEMENT | Audrey Jolly, Pam Patterson |
| AUDITION TECHNIQUE | Theresa Sears, David Switzer, Gloria Mann |
| VOICE | David Smukler, Michael Connolly, Anita Noel-Antscherl |
| COMBAT | Mark Ingram, Naomi Hunter |
| TECHNICAL THEATRE | University of Waterloo |
| T.V. PROD. & DIR. | Rogers Cable, Nova Scotia Institute of Technology (Paul Bayliss, CBC) |
02/07